23rd Entry, September 18th 2008, Angelic Series part 3
"You mean each breath we take there is enough power to fuel a light bulb? Can you imagine if we were to run to something at the same time?! Holy Crap."
- Kaityn A.
Marlboro Mass, age 11
Zephreil
by Patrick Gorman Pettis20 inches in height by 16 inches in length on pine framed cotton in natural inks stains and dyes valued at 1,727 USD by the Filopoly Board of Fine Arts
What happens to us when it seems as though the world we know and the one we wanted has left us behind?
We cope or suffer or both and either
live or die from it.
And there is no testament to strength to either
simply example as to how and why
the rest we can choose to keep private or share.
http://www.youtube.com/watch?v=1yIDt97zQgYallowed it to serve as primary spy on behalf of the Name's into the Lucifer's very organized in dependant curiosities.
However, even for forces of creation to dwell in such an area until familiarity takes a wear and it eventually becomes, for lack of a better term, "infected" (much like depression or anger is contagious so this force was infected - think of it as a holy challenge major ass fiber of creation flu- tarred and feathered).
The thing of being found again is the reason why crickets chirp and fire flies spark in the late summers. They want something familiar, even if it is just a face attached to the flash of a memory. It happens in nature all of the time. Unfortunately for us humans, the creatures who were supposed to learn how to care for it all and understand most of it - it is my limited perspective that perhaps we were designed too weighted and that's why we mostly try to control each other. Being lost or found then becomes an individual choice and experience, just as we choose what we care about and take care of.
I digress . . .
This can confuse or clarify depending on where the caller's soul is/what their mind is like - it is not always a necessarily a good angel but it is a reminder as to how easy it is to become trapped by ones own self and what a person is used to.
The fiery sharp points of color used in baking soda and vinegar with wild grape against a deepening blue set the eye into a flash point, a skeeter-ed glimpse of a bucking horse in honey and henna as is in the foreground but there are literally over 43 separate images in the piece.
Chocolate, Salt, Kiwi, Strawberry, White Cherry, Corn, Vanilla, Aramis, Ivy, Platy Codon, Thistle, Cinnamon, Orange and over 20 more make up the ingredients to this piece.
The piece is not abstract, though to a knave viewer it might be considered so, it is in fact impressionist - it is my impression of a very old soul held in the immediate who chooses to be lost. To be lifted up or to fall, hands are there but as in the case of Zephreil do we choose to grab them or hide from them (rhetorical).
more later
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